Single episode: full post
Dialogue edit, ambience, Foley and music placement, and a master to −16 LUFS / −1.0 dBTP. First pass in five business days, two revision rounds at 48 hours each.
- Up to 35 min
- All three passes
- 2 revision rounds
Services · Rate card
Three passes per episode: dialogue edit, sound design, master. Singles start at $340; a six-episode mini-season is $1,780. Add-ons are itemized below, down to the minute.
The core jobs
Runtime is measured on the finished episode. Up to 35 minutes is covered by the base rate; past that it is $9 per added minute.
Dialogue edit, ambience, Foley and music placement, and a master to −16 LUFS / −1.0 dBTP. First pass in five business days, two revision rounds at 48 hours each.
The single-episode job six times, with ambience and music built once and matched across the run. Includes a 45-minute spotting call, season-wide loudness match, three revision rounds per episode and a 60-second trailer cut.
For shows that score and mix in-house. Crosstalk, clicks, plosives and false starts removed, room tone under every cut, levels matched within 2 dB. Delivered as a clean stem set plus a stereo reference.
You bring a finished mix. It leaves at −16 LUFS integrated, −1.0 dBTP, A/B’d against your reference episode, with the MP3 re-measured after encoding. Mono feeds go out at −19 LUFS.
Add-on ledger
Footsteps, door latches, handsets and cloth, each on its own lane.
Licensed or library cues pulled to your brief, with source and license terms listed.
Sixty seconds, mixed and mastered to the same spec as the episode.
Timecoded transcript with chapters embedded in the MP3.
First pass in two business days instead of five.
Applies to the finished runtime, not the raw recording.
Summed and re-leveled to −19 LUFS, phase-checked.
Side by side
Pick by what your show already does in-house. If you are unsure which row you are, send one episode and the quote will say.
| Pass | Single | Season | Edit only | Master only |
|---|---|---|---|---|
| 01 Dialogue edit | Yes | Yes | Yes | — |
| 02 Sound design | Yes | Yes, shared palette | — | — |
| 03 Master | −16 LUFS | −16 LUFS, season-matched | Stereo reference | −16 LUFS |
| Revision rounds | 2 | 3 per episode | 1 | 1 |
| First delivery | 5 business days | 5 business days | 3 business days | 2 business days |
| Price | $340 | $1,780 | $140 | $85 |
Choose Single. Dialogue cleanup is where most of the work sits, and sound design covers what the room gave you.
Choose Master only. You keep creative control and leave with a measured file and a spec sheet.
Choose Season. Settling the sound palette once keeps episode six matched to episode one.
A share link, the runtime and the episode count are enough to price it.
Before you book
Still unsure? Call the desk daily 9am–4pm on (917) 238-6726.
On the finished episode, after cuts. A 52-minute raw interview that tightens to 34 minutes is billed as 34.
One consolidated list of timecoded notes. “Cut the second breath at 14:20” is plenty. Each round is turned around in 48 hours.
Singles are invoiced per episode on delivery. Mini-seasons are half up front, half on delivery. Card or ACH.
Raw multitrack WAVs or a locked stereo mixdown, your script or cue notes, and one reference episode to match. A spec check for sample rate, clipping and missing tracks runs the same day if files land before 4pm.
The $65 music search pulls cues to your brief and lists each source and license on the cue sheet. You hold the license; I never bundle unlicensed tracks.